Discurso y ejemplaridad en Ovidio, Ars 1.101-134
Palabras clave:
Exemplarité. Ovide. Ars amatoria. Romulus. Auguste.Resumen
Sur la base d’une analyse concernant l’intertextualité, l’intratextualité ainsi que lês rapports avec d’autres discours symboliques du contexte de production, le travail se propose d’étudier l’excursus de l’enlèvement des Sabines chez Ovide Ars 1.101- 134. Cette étude a pour but de déterminer la construction du lien exemplaire Romulus-Auguste impliqué dans le texte et sa relation avec cette même exemplaritélà dans le régime du principat.Citas
ABAECHERU BOYCE, A. "Processions in the Acta Ludorum Saecularium", TAPA 72, pp. 36-48, 1941.
ADAMS,j.N., The Latin Sexual Vocabulary, TheJohn Hopkins University Press, Baltimore, 1993.
BARCHIESI, A. "Insegnare ad Augusto: Orazio, Epistole 2, 1 e Ovidio, Tristia II" MD 31, pp. 149-184, 1993.
BROWN, R. "Livy' s Sabine Women and the Ideal ofConcordia", TAPA 125, pp. 291-319, 1995.
CASALI, S. "Ovidio e Ia preconoscenza della critica. Qualche generalizzazione a partire da Heroides 14", Philologus 142, pp. 94-113, 1998.
DES BOUVRIE, S. "Augustus' Legislation on Moral", SO 19, pp. 93-113, 1984.
EDW ARDS, C., The politics of immorality in ancient Rome, Cambridge University Press, Cambridge, 1993.
EIDINOW,].S.C. "A note on Ovid Ars Amatoria 1.117-119", AJP 114, pp. 413-417, 1993.
FERRERO RADITSA, L. "Augustus' Legislation concerning Marriage, Procreation, Love Affairs and Adultery", ANRW II 13, pp. 278-339, 1980.
FOX, M., Roman Historical Myths. The Regal period in Augustan Literature, Clarendon Press,Oxford, 1996.
FREZOULS, E. "Histoire architecturale du theâtre romain", ANRW II 12.1, pp. 343-441, 1982.
GALINSKY, C., Augustan Culture, University ofPrinceton, Princeton, 1996. GIANGRANDE, G. "Arte allusiva and alexandrian poetry", CQ 17, pp. 85-97,1967. GIBSON, R.K., Ovid Ars Amatoria Book 3, Cambridge University Press, Cambridge, 2003. GOLDHILL, S. "The failure of exemplarity", in: DEJONG, IJ.F. & SULLIVAN,].P.(eds.)
Modern Critical Theory and Classical Literature, Brill, Leiden, 1997, pp.57-74.
GREEN, C. "Terms ofVenery in the Ars Amatoria", TAPA 126, pp. 221-263,1996. HABINEK, T., The World of Roman Song; TheJohn Hopkins University Press, Baltimore and London, 2005.
HALL,].F., "The Saeculum Novum of Augustus and its Etruscan Antecedents", ANRW 16.3, pp. 2564-2589, 1986.
HELDMANN,K., Dichtkunst oder Liebeskunst? Die mythologischen Erza.hlungen in Ovid Ars amatoria, Nachrichten der Akad. der Wiss. in Gottingen, Gottingen, 2001.
HEMKER,]. "Rape and the Founding ofRome", Heliosn.s. I, pp. 41-47, 1985.
HINDS, S., "Ovid's Fasti Part 2: Geme, Romulean Rome and Augustan Ideology", Arethusa 25, pp. 113-153, 1992.
HOFFMAN, M. "The College ofQuindecemviri (sacris faciundis) in 17 B.C.", AJP73, pp. 289-294, 1952.
HOLLIS, A.S., Ovid Ars AmatoriaBook 1, Clarendon Press, Oxford, 1977.
KENNEY, EJ., P Ovidi Nasonis, Amores, Medicarninafaciei femineae, Ars arnatoria, Remedia amoris, Oxonii e Typographeo Clarendoniano, Oxford, 1995 (repr.).
LABATE, M. "La tecnica e Ia forza: interpretazioni ovidiane deI ratto delle sabine", Atti deI Convegno lnternazionali di Studi Firenze 25-26 novembre 2002, Università degli Studi di Firenze, pp. 221-245, Firenze, 2002.
MCKEOWN,].C. Ovid: Amores. Text, Prolegomena and Commentary in four volumes. Volume 3: Commentary on Book Two, Francis Cairns (Publications) Ltd. c/o The University, Leeds, 1998.
MILES, G.B. "The First Roman Marriage and the Theft ofSabine Women", in: Hexter,R. and Selden,D. (eds.) lnnovations of Antiquity, Routledge, London, 1992, pp. 161-196.
MILLER,].P. "Callimachus and the Augustan Aetiological Elegy", ANRW II 30.1, pp.371- 417, 1982.
MILLER,].F. "Lucretian moments in Ovidian elegy", CJ92, pp.384-398, 1997. MITCHELL, R. "The violence ofvirginity in the Aeneid", Arethusa24, pp. 219-238, 1991. MUNARI, F., P Ovidi Nasonis Amores, La nuova Italia, Firenze, 1970 (5ta.ed.). MYEROWITZ,M., Ovid's Carnes of Love, Wayne State University Press, Detroit, 1985. NOONAN,].D. "Livy 1.9.6: the Rape at the Consualia", CW83, pp. 493-501, 1990.
PARKER, H. "Love's body anatomized: the ancient erotic handbooks and the rhetoric of sexuality", in: RICHLIN, A (ed.) Pornography and Representation in Greece & Rome, Clarendon Press, Oxford, 1992, pp. 90-111.
PIANEZZOLA, E., Ovidio Varte di amare, Mondadori, Milano, 2000 (4ta. ed.) PICHON, R., lndex verborum amatoriorum, Georg Olms, Hildesheim, 1991 (reimpr.). PORTE, D. "Romulus-Quirinus", ANRW II 17.1, pp. 300-342,1981.
PIGAGNIOL, A, Recherches sur iesJeux Romains, Faculté de Lettres, Strasbourg, 1923.
PUTNAM, M., Horace's Carmen Saecuiare. Ritual, Magic and tbe Poet's Ar~ Yale University
Press, N ew Haven and London, 2000.
RA WSON, E. "Discrimina ordinum: the LexJulia Theatralis, PBSR 55, pp. 83-114, 1987.
ROCHETIE, B. "Urbis-Orbis. Ovide, Fastes 2.684: Romanae spatium est Urbis et orbis idem", Latomus56, pp. 551-553,1997.
ROLLER, M.B. "Exemplarity in Roman Culture: the Case ofHoratius Cocles and Cloelia", CP99, pp. 1-56,2004.
ROSS TAYLOR, L. "New Light on the History ofthe Secular Games", AJP55, pp.101-120, 1934.
SÁNCHEZ ORTIZ DE LANDALUCE, M. "Acontio y Cidipa y los Aitia de Calímaco: Ia tipología literaria dei aition", Habis 22, pp. 143-150, 1991.
SCOTI, K. "The Identification of Augustus with Romulus Quirinus", TAPA 56, pp. 82-105, 1925
SCHNIEBS, A De Tibuio ai Ars amatoria, Fac. de Filosofia y Letras, U niversidad de Buenos Aires, Buenos Aires, 2006.
SHULMAN, j. "Te quoque falle tamen: Ovid's anti-Iucretian didactics", CJ76, pp. 242-253, 1981
SOMMARIVA, G. "La parodia di Lucrezio nell' Ars e nei Remedia ovidiani", A&R 25, pp. 123-148, 1980.
SOLODOW,j. "Ovid's Ars amatoria: the lover as cultural ideal", WS 11, pp. 106-127, 1977.
WARDMAN, A.E. "The Rape ofthe Sabines (Ovid, Ars Amatoria 1.89ff.), CQ 15, pp. 101-103,1965.
WATSON, P., "Ovid and Cultus: Ars Amatoria 3.113-28", TAPA 112, pp. 237-244, 1982.
ZANKER, P., Augusto y ei poder de ias imágenes, Alianza, Madrid, 1992.
Descargas
Publicado
Número
Sección
Licencia
Ao se submeterem textos para a PhaoS, seus autores devem estar cientes de que, se aprovados para publicação, a revista terá sobre eles todos os direitos autorais pertinentes. Originais não serão devolvidos.
