Teatralizando el espectáculo: metacognición en las escenas mánticas de Esquilo (Pers. 177-231; A. 1130-1295)
Keywords:
Metacognition. Metatheater. Divination.Abstract
Este artículo se propone una revisión teórico-metodológica sobre la adivinación griega y sus representaciones trágicas en la obra de Esquilo. De acuerdo con esta re-interpretación, se observa la estrategia metateatral de este trágico, cuya obra fue escasamente estudiada en estos términos. Una interpretación de las escenas mánticas de Persas (vv. 177-231) y Agamenón (vv. 1130-1295) en esta clave permitiría comprender su dimensión cognitiva en el espectáculo teatral.References
ARNOTT, P. (1989) Public and Performance in greek theatre.
ASSMANN, J. (2000) Das kulturelle Gedächtnis. Schrift, Erinnerung und politische Identität in frühen Hochkulturen, München.
BAIN, D. (1977) Actors and Audience: A Study of Asides and Related Conventions in Greek Drama, Oxford.
BARKER, E. 2006: “Paging the oracle: interpretation, identity and performance in Herodotus’ History”, Greece & Rome 53 1, pp. 1–28.
BARRETT, J. (1998) “Pentheus and the Spectator in Euripides' Bacchae”. American Journal of Philology 119 3.
BECK, R. (2006) The religion of the Mithras cult in the Roman Empire: Mysteries of the unconquered sun. Oxford.
BELFIORE, E. (2003) “Tragédie, thumos, et plaisir esthétique” Les Études philosophiques, No. 4, La Poétique d'Aristote : Lectures morales et politiquesde la tragédie.
BERGER, P. & LUCKMANN, T. (2001) La construcción social de la realidad, Buenos Aires.
BIERL, A. (1991) Dionysos und die griechische Tragödie: politische und "metatheatralische" Aspekte im Text.
BUDELMANN, F. & EASTERLING, P. (2010). “Reading Minds in Greek Tragedy”, Greece & Rome, 57, pp 289-303.
BÜHLER, K. (1990), Theory of Language: The Representational Function of Language, Amsterdam-Philadelphia.
CARTLEDGE, P. (1994) “The greeks and anthropology”, Anthropology today 10, 3-6.
CHRIST, K. (1996) Griechische Geschichte und Wissenschaftsgeschichte, Stuttgart.
COLLINS, D. (2008) “Mapping the Entrails: The Practice of Greek Hepatoscopy”, The American Journal of Philology, Vol. 129, No. 3 (Fall, 2008).
CONACHER, D. J. (1974), “Interaction between Chorus and Characters in the Oresteia Source” The American Journal of Philology, Vol. 95, No. 4 pp. 323-343.
COOPER, A. (1991) Prophecy and reason: The Dutch Collegiants in the Early Enlightenment. Indiana.
DERRIDA, J. (2006) L'animal que donc je suis, Paris.
DETIENNE, M. (2007 [2005]) The Greeks and Us: A Comparative Anthropology of Ancient Greece, Cambridge.
DILLERY, J. 2005: “Chresmologues and Manteis: Independent Diviners and the Problem of Authority”, en Johnston S. & Struck, P. (eds.), Mantikê: studies in ancient divination, Boston, pp. 167-232.
DODDS, E. R. (1951) The Greeks and the Irrational.
DOUTERELO FERNÁNDEZ, E. (2001) El vocabulario del conocimiento en la obra de Esquilo, Madrid.
EDELMAN, G (2004). Wider than the Sky: The Phenomenal Gift of Consciousness. Yale University Press.
EVANS, A. (1908) Anthropology and the Classics: Six lectures delivered before the University of Oxford. Oxford.
EVANS-PRITCHARD, E. (1937) Witchcraft, Oracles and Magic Among the Azande, Oxford.
FEIJOO, BENITO JERÓNIMO (1779[1728]). Teatro crítico universal, Madrid.
FLEMING, T. (1977), “The Musical Nomos in Aeschylus' Oresteia” The Classical Journal, Vol. 72, No. 3 pp. 222-233
FOLEY, H. (2006) “Generic boundaries in late Fifth-Century Athens”, en Revermann & WILSON (eds.), Performance, Iconography, Reception. Studies in Honour of Oliver Taplin, London, pp. 16–36.
FORTIER, M. (1997) Theory/Theatre: An Introduction, London.
GARNER, S. (1994) Bodied Spaces: Phenomenology and Performance in Contemporary Drama, New York.
GEERTZ, A. & JENSEN, J. (eds.) (2010) Religious Narrative, Cognition and Culture: Image and Word in the Mind of Narrative. London.
GEERTZ, A. (ed.) (2014) Origins of Religion, Cognition and Culture, New York.
GENTILI, B. (1979) Theatrical Performance in the Ancient World: Hellenistic & Early Roman Theatre.
GIBERT, J. (1999–2000), ‘Falling in Love With Euripides (Andromeda)’, ICS 24–25.
GOLDBERG, S. (1980) The Making of Menandrian Comedy, London.
GOWARD, B. (1999), Telling Tragedy. Narrative Technique in Aeschylus, Sophocles and Euripides, 74–78.
HART, E. (2008) “Performance, phenomenology and the cognitive turn” en MCCONACHIE, B. A. & HART, F. E. (eds.) (2008), Performance and Cognition. Theatre Studies and the Cognitive Turn, London.
HEIDEN, B. (1989), Tragic Rhetoric: An Interpretation of Sophocles' Trachiniae.
HENRICHS, A. 2003: “Hieroi Logoi and Hierai Bibloi: The (Un)Written Margins of the Sacred in Ancient Greece”, Classical Philology 101, pp. 207-266.
HOBSBAWM (2002 [1983]) La invención de la tradición, Madrid.
HOLLIS, M. (1967) “The Limits of Irrationality” European Journal of Sociology / Volume 8, pp 265 - 271.
HOLLMANN, A. 2006: “The Manipulation of Signs in Heródotos' Histories” TAPhA 135 2, pp. 297-298.
HOOYKAAS, R. (1972) Religion and the rise of Modern science, Scottish Academic Press,
HORNBY, R. (1986). Drama, Metadrama, and Perception, London.
HUBBARD, T. (1991) The Mask of Comedy. Aristophanes and the Intertextual Parabasis, London.
HUMPHREYS, S. (1978) Anthropology and the Greeks. London.
ILES JOHNSTON, S. (2008) Ancient Greek Divination, Oxford.
ISRAEL (2001) Radical Enlightenment: Philosophy and the Making of Modernity, 1650–1750.
JOHNSON, M. (2008) The Meaning of the Body: Aesthetics of Human Understanding, Chicago.
KINDT, J. (2012) Rethinking Greek Religion, Cambridge.
KURKE, L. (2009) “Counterfeit Oracles and Legal Tender: The Politics of Oracular Consultation in Herodotus”. The Classical World, Vol. 102, No. 4, pp. 417-438Published
LAKOFF, G. & JOHNSON, M. (1999) Philosophy In The Flesh: the Embodied Mind and its Challenge to Western Thought. Basic Books.
LATOUR, B. (1993) Nunca fuimos modernos. Ensayo de antropología simétrica, México.
LAWSON, E. & MCCAULEY, R. (1990) Rethinking Religion: Connecting Cognition and Culture. Cambridge.
MARTÍNEZ CONESA, J. & CORBERA LLOVERAS, M. «El campo semántico de las perturbaciones mentales en la Tragedia griega: Esquilo», en Quaderns de Filología, Homenatge a José Belloch Zimmermann, Universitat de Valencia 1988. 259.
MATURANA, H. & VARELA, F. (1987) The Tree of Knowledge: The Biological Roots of Human Understanding. Boston.
MAURIZIO, L. (1997) “Delphic Oracles as Oral Performances: Authenticity and Historical Evidence” Classical Antiquity, Vol. 16, No. 2 pp. 308-334.
MAZZOLDI, S. (2002) “Cassandra’s Prophecy between Ecstasy and Rational Mediation”, Kernos 15.
MCCONACHIE, B. A. & HART F. E. (eds.), Performance and Cognition. Theatre
MEDWID, L. (2000) The Makers of Classical Archaeology: A Reference Work , Chicago.
MINCHIN, E. (2001) Homer and the resources of memory: some applications of cognitive theory to the Iliad and the Odyssey. Oxford.
MOMIGLIANO, A. (1992) The Classical Foundations of Modern Historiography, University of California Press.
NILSSON, M. P. (1972), Cults, Myths, Oracles, and Politics in Ancient Greece, New York.
PALMER, A. Fictional Minds (Lincoln, NE, 2004)
POLLARD, J. R. T (1948) “Birds in Aeschylus”, Greece & Rome 17 51, pp. 116-127.
REDFIELD, J. (1991) “Classics and the anthropology”, Arion 5-23.
RINGER, M. (1998) Electra and the Empty Urn : Metatheater and Role Playing in Sophocles, California.
ROSENBERGER, V. (2001) Griechische Orakel. Eine Kulturgeschichte, Stuttgart.
ROSENMEYER, T. (2002) “'Metatheater': An Essay on Overload”, Arion 10 2, pp. 87-119.
ROUSSEAU, G. (1963) “Dream and Vision in Aeschylus' Oresteia”, Arion 2 3, pp. 101-136.
RUFFELL, I. (2006) ‘Audience and Emotion in the Reception of Greek Drama’, en M. REVERMANN & P. WILSON (eds.), Performance, Iconography, Reception. Studies in Honour of Oliver Taplin, London, pp. 37–58.
RUFFELL, I. (2008) ‘Audience and Emotion in the Reception of Greek Drama’, en M. Revermann & P. Wilson (eds.), Performance, Iconography, Reception. Studies in Honour of Oliver Taplin (Oxford,2008), 37–58.
RUFFY, M. (2004) “Visualization and "Deixis am Phantasma" in Aeschylus' Persae” Quaderni Urbinati di Cultura Classica 78, No. 3 pp. 11-28.
SANSONE, D. (1975) Aeschylean Metaphors for Intellectual Activity, Wiesbaden
SCHEIN, S. L. (1982), ‘The Cassandra Scene in Aeschylus’ Agamemnon’, Greece & Rome 29
SEGAL, C. (1986) Interpreting Greek Tragedy: Myth, Poetry, Text.
SEGAL, C. (1993) Euripides and the Poetics of Sorrow: Art, Gender, and Commemoration in Alcestis, Hippolytus, and Hecuba.
SLATER, N. (2002), Spectator Politics -Metatheatre and Performance in Aristophanes, Philadelphia.
SMITH, N. 1989: “Diviners and Divination in Aristophanic Comedy”, Classical Antiquity 8 1, pp. 140-158.
STRUCK, P. (2005), “Divination and Literary Criticism?”, en JOHNSTON S. & STRUCK, P. (eds.), Mantikê: studies in ancient divination, Boston.
SULLIVAN Sh. (1997) Aeschylus’ Use of Psychological Terminology, Montreal
SULLIVAN, Sh. (1996) «Disturbances of the Mind and Heart in Early Greek Poetry», L’Antiquité Classique 65, 31-51
TAAFFE, L. (1994) Aristophanes and Women. London.
TAPLIN, O. (1977) The Stagecraft of Aeschylus. The Dramatic Use of Exits and Entrances in Greek Tragedy.
TAPLIN, O. (1978) Greek Tragedy in Action.
TAPLIN, O. (1986) “Fifth-Century Tragedy and Comedy: A Synkrisis”, The Journal of Hellenic Studies 106, pp. 163-174.
THALMANN, W. (1986) “Aeschylus's Physiology of the Emotions” The American Journal of Philology 107 4, pp. 489-511
TREMLIN, T. (2006) Minds and Gods: the cognitive foundations of religion. Oxford.
TUILLIER, P. (1990) La ciencia moderna. México.
TURNER, V. (1975) Revelation and Divination in Ndembu Ritual, Nueva York y Londres.
VAISMAN, L. (2008) “Sobre el concepto de 'espectáculo' en el "Arte poética" de Aristóteles”, Revista Chilena de Literatura 72 pp. 71-88.
VERNANT (1974) Divination et rationalité, Paris.
VIVEIROS DE CASTRO, E. (2010), Metafísicas caníbales, Buenos Aires.
WALTON, M. (1984) The Greek Sense of Theatre.
WHITEHOUSE, H. and Laidlaw, J. (eds.) (2007) Religion, Anthropology, and cognitive science. Dutham.
WILLIAM G. (1986), “Thalmann Aeschylus's Physiology of the Emotions”, The American Journal of Philology, Vol. 107, No. 4 pp. 489-511.
WURM, H. (1968) Substantivische Ausdrücke als Träger psychischer Phaenomene bei Aischylos, Viena.
Downloads
Published
Issue
Section
License
When submitting papers to PhaoS, authors should be aware that PhaoS shall hold all relevant copyrights over such papers if they are accepted for publication. Manuscripts will not be returned.
