Teatralizando el espectáculo: metacognición en las escenas mánticas de Esquilo (Pers. 177-231; A. 1130-1295)


  • Tomás Bartoletti Universidad de Buenos Aires Humboldt Universität zu Berlin


Metacognition. Metatheater. Divination.


Este artículo se propone una revisión teórico-metodológica sobre la adivinación griega y sus representaciones trágicas en la obra de Esquilo. De acuerdo con esta re-interpretación, se observa la estrategia metateatral de este trágico, cuya obra fue escasamente estudiada en estos términos. Una interpretación de las escenas mánticas de Persas (vv. 177-231) y Agamenón (vv. 1130-1295) en esta clave permitiría comprender su dimensión cognitiva en el espectáculo teatral.

Biografia do Autor

Tomás Bartoletti, Universidad de Buenos Aires Humboldt Universität zu Berlin

Tomás Bartoletti leu Filologia Clássica, Lingüística e Literatura Latino-Americana na Universidade de Buenos Aires (2004-2010) e História e Sociologia da Ciência e Tecnologia na Universidade de Quilmes (2011-2014). Antes de chegar ao Colégio Max Weber, Bartoletti foi convidado na Universidade de Essen-Duisburg (2006), na Universidade de Zurique (2012) e na Universidade Humboldt de Berlim (2014-2016).


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